sometimes I miss
the press
of a soft breast
in my palm—
surprising weight
for something
capable of flight.
they were
the sole religion
I’ll confess;
benediction
in every brush
of wing,
confessors granting
absolution with solemn,
nodding heads.
feather and bone
are our holiest relics.
I believe in resurrection
each time I see
another flock
take rise.
_
12/30/10
12/28/10
D., me
the lines collect,
congregating in gregarious
collusion—
we’ll be defrauded,
both of us,
thinking these words
have anything to say.
it’s the worst kind
of hypocorism, reducing
each other to diminutive
twiddles: dotted i’s,
crossed t’s; worse yet,
it’s dangerous—
letting me roll around
in language like this,
letting me turn a phrase
around you, entwine you
in rhyme:
one uncial could be your
un-
doing.
_
congregating in gregarious
collusion—
we’ll be defrauded,
both of us,
thinking these words
have anything to say.
it’s the worst kind
of hypocorism, reducing
each other to diminutive
twiddles: dotted i’s,
crossed t’s; worse yet,
it’s dangerous—
letting me roll around
in language like this,
letting me turn a phrase
around you, entwine you
in rhyme:
one uncial could be your
un-
doing.
_
Innervation
I sang the echo
of my art
into your ear,
and though
you were asleep,
it must
have reached you:
a rumor you
had heard before,
the loss of
secret, sacred, languid
bliss
the kiss that
missed your lips,
went straight on
down into your
hips—
fascia fuses
skin to muscle,
muscle to bone;
alone
we all come
apart.
_
of my art
into your ear,
and though
you were asleep,
it must
have reached you:
a rumor you
had heard before,
the loss of
secret, sacred, languid
bliss
the kiss that
missed your lips,
went straight on
down into your
hips—
fascia fuses
skin to muscle,
muscle to bone;
alone
we all come
apart.
_
12/27/10
Why (and Not)
It’s not food
until somebody eats it—
it’s not you
until someone sees you,
mirrors you,
brings you
back to yourself,
cracks you open
and crumbles
at your touch.
So much
centers on a trembling,
tumbling, melting—
magnanimous and muddled;
molds you, folds you up
and covers you, counters
and then comes for you,
at you, on you, to you—
true and two who, total,
finally hold
and are whole.
_
until somebody eats it—
it’s not you
until someone sees you,
mirrors you,
brings you
back to yourself,
cracks you open
and crumbles
at your touch.
So much
centers on a trembling,
tumbling, melting—
magnanimous and muddled;
molds you, folds you up
and covers you, counters
and then comes for you,
at you, on you, to you—
true and two who, total,
finally hold
and are whole.
_
Poetasting
rills
of Rilke
running
in rivulets
cummings
coloring
each
coming
as Roethke roves, rolls, roams
and Hikmet,
honeyed,
hums.
_
of Rilke
running
in rivulets
cummings
coloring
each
coming
as Roethke roves, rolls, roams
and Hikmet,
honeyed,
hums.
_
12/26/10
Elle
likes love—licks love
lilting limpid liquid love
looks for lovely lolling love
love that lingers; limping love
lush and low, lackadaisical love
longing, loitering, lonely love
lumbering love, lyrical love
loves a lanky lover’s love
lateral literal linear love
(love,—)
_
lilting limpid liquid love
looks for lovely lolling love
love that lingers; limping love
lush and low, lackadaisical love
longing, loitering, lonely love
lumbering love, lyrical love
loves a lanky lover’s love
lateral literal linear love
(love,—)
_
12/25/10
Be Comely—
mind your body;
bind your many
modifications, mine
your maybe, bending
to mending
all combinations
cunningly combing,
coming to numbing
and calming again.
_
bind your many
modifications, mine
your maybe, bending
to mending
all combinations
cunningly combing,
coming to numbing
and calming again.
_
Nocturne
Perfer et obdura; dolor hic tibi proderit olim.
- Ovid
middle
of night
time
without light
rampant caliginosity
bituminous atrocity
camera obscura
perfer et obdura
silence defending
beginning
by ending
_
- Ovid
middle
of night
time
without light
rampant caliginosity
bituminous atrocity
camera obscura
perfer et obdura
silence defending
beginning
by ending
_
Midnight Mass
Iesus Nazarenus,
Rex Iudaeorum
hanging from his cross
in a fresh coat of paint
above his nascent incarnation
lying blanched and bloodless
in an ashen manger
when we are asked
to bow our heads
for prayer, I examine
the hands in my lap;
no nail holes here.
_
Rex Iudaeorum
hanging from his cross
in a fresh coat of paint
above his nascent incarnation
lying blanched and bloodless
in an ashen manger
when we are asked
to bow our heads
for prayer, I examine
the hands in my lap;
no nail holes here.
_
12/24/10
Leda
Her flesh flushed full
for god in form of bird,
the only beast able to bear
the brunt of such ferocity.
She was not made for men.
They required gentler, softer things,
the kind of things that
wrapped up nicely, things
without bristles or thorns,
hides soft as butter,
as malleable and forgiving.
Their jealous, inadequate minds
imagined her passion parried,
pinned by webbed claws, pictured
her violated by a beak—unable
to recognize she needed feathers
to tame her, the fold of two
vast wings to lift her up.
What they named Zeus’s lust
could only be her absolution.
_
for god in form of bird,
the only beast able to bear
the brunt of such ferocity.
She was not made for men.
They required gentler, softer things,
the kind of things that
wrapped up nicely, things
without bristles or thorns,
hides soft as butter,
as malleable and forgiving.
Their jealous, inadequate minds
imagined her passion parried,
pinned by webbed claws, pictured
her violated by a beak—unable
to recognize she needed feathers
to tame her, the fold of two
vast wings to lift her up.
What they named Zeus’s lust
could only be her absolution.
_
12/22/10
Spun
raising ghosts
like no one else can,
suicide elides
in curving stride
the bluebird’s folly,
exchanging sanctity
for ceremony,
creating more questions
than answers—
even while lying
_
like no one else can,
suicide elides
in curving stride
the bluebird’s folly,
exchanging sanctity
for ceremony,
creating more questions
than answers—
even while lying
_
Confessional
I hate to do something I can’t explain.
All my actions have such good reasons.
Except this:
Telling things
I don’t want to tell,
expressing things
I’d rather not express,
to no apparent end.
Yet it feels as much a part of me
as the inside of my skin.
_
All my actions have such good reasons.
Except this:
Telling things
I don’t want to tell,
expressing things
I’d rather not express,
to no apparent end.
Yet it feels as much a part of me
as the inside of my skin.
_
Imprinting
every hour she waits for a drink
she will reward herself
with one more later—
wants to return to her childhood,
only her own—no one else’s—
wants to laughrunclimbtrees,
lock the bedroom door—
as if that would do anything;
as if a man crossing so many
more substantial boundaries
would be stopped by a hollow
sheet of wood, a bit of brass;
is it a false start
when we leave ourselves,
only to return?
or if we start too late
do we run out
of time to try?
as if to return
would change
a goddamned
thing.
_
she will reward herself
with one more later—
wants to return to her childhood,
only her own—no one else’s—
wants to laughrunclimbtrees,
lock the bedroom door—
as if that would do anything;
as if a man crossing so many
more substantial boundaries
would be stopped by a hollow
sheet of wood, a bit of brass;
is it a false start
when we leave ourselves,
only to return?
or if we start too late
do we run out
of time to try?
as if to return
would change
a goddamned
thing.
_
12/17/10
Distance=Absence
I am behind a glass
where I can see your blood
but it does not touch me
I spent my entire childhood
learning to need no one
and all of my adulthood
learning to not even want
it is not emotion
but language
not about reality
but distance
to live in the moment
you can only live
one moment at a time
and no one will see you
when you can no longer
recognize yourself
_
where I can see your blood
but it does not touch me
I spent my entire childhood
learning to need no one
and all of my adulthood
learning to not even want
it is not emotion
but language
not about reality
but distance
to live in the moment
you can only live
one moment at a time
and no one will see you
when you can no longer
recognize yourself
_
12/13/10
Nonce
aye wan to lift
inner cottage buy
the see
whiff a guarding
full off tuber
oses
ant sever all
gnomes with
lunk gnoses
_
inner cottage buy
the see
whiff a guarding
full off tuber
oses
ant sever all
gnomes with
lunk gnoses
_
12/12/10
(687 lines)
each of us
with our own agency
aching
don't you recognize
the catastrophe
this will be
I want
and long
and lack
and ache
and never
enough
still you
torture me
with your
own brand
of sympathy
all the time
that we find
will not suffice
we'll agonize
in insufficiency
don't you see
me
save me
sink me
willingly
into all
you are
wanting more
than all you have
to give
_
with our own agency
aching
don't you recognize
the catastrophe
this will be
I want
and long
and lack
and ache
and never
enough
still you
torture me
with your
own brand
of sympathy
all the time
that we find
will not suffice
we'll agonize
in insufficiency
don't you see
me
save me
sink me
willingly
into all
you are
wanting more
than all you have
to give
_
12/11/10
She: Cartography
you must know:
(you must—
and you don’t—
which is why
I’m telling you—)
how to say
your prayers
how to praise
the instep
of the footstep,
then the hem
and then the
un-hemmed-in
you must know:
(you must—
and you do—
but it is key
and so I emphasize—)
to inhale
exhalation
to soak in
incense smoke,
to brush with lips
the hair—
sometimes,
only air—
look: Look.
Taste. Touch.
Feel. Map
with your finger
tip . . . (tip): tips
don’t ask:
she won’t know
what she wants
until she has it—
that secret she keeps
even from herself
but she wants to know
she wants
to know—
she knows she wants,
and, knowing,
wants you.
_
(you must—
and you don’t—
which is why
I’m telling you—)
how to say
your prayers
how to praise
the instep
of the footstep,
then the hem
and then the
un-hemmed-in
you must know:
(you must—
and you do—
but it is key
and so I emphasize—)
to inhale
exhalation
to soak in
incense smoke,
to brush with lips
the hair—
sometimes,
only air—
look: Look.
Taste. Touch.
Feel. Map
with your finger
tip . . . (tip): tips
don’t ask:
she won’t know
what she wants
until she has it—
that secret she keeps
even from herself
but she wants to know
she wants
to know—
she knows she wants,
and, knowing,
wants you.
_
Phenomenology
not forbidden;
unbidden
manwoman
no woe, moan won
for skin
for in
for human kin
(un) kind
one mind mined
all mine
youmewe
negation of the negation
undulation
adulation
all undone
_
unbidden
manwoman
no woe, moan won
for skin
for in
for human kin
(un) kind
one mind mined
all mine
youmewe
negation of the negation
undulation
adulation
all undone
_
Transubstantiation
If bread
on my tongue
can become
his flesh—
then his flesh
on my tongue
can become
daily bread.
_
on my tongue
can become
his flesh—
then his flesh
on my tongue
can become
daily bread.
_
Conversion
When I was a child
I prayed in a field
at an altar I stacked
of river stones, a little lump
of yellow wax
alight on top.
Now I am the altar.
First kiss is conversion
and he lays his prayers
across me, anoints me
with his oil, washes me
in his tears, sacrifices sweat
and blood upon me.
And I burn for him.
_
I prayed in a field
at an altar I stacked
of river stones, a little lump
of yellow wax
alight on top.
Now I am the altar.
First kiss is conversion
and he lays his prayers
across me, anoints me
with his oil, washes me
in his tears, sacrifices sweat
and blood upon me.
And I burn for him.
_
sub rosa
I am going
into the water.
I gather memories
likes stones from the sea.
Things that don’t
even have words.
I wear them smooth
with constant turning.
Some things we can do
only for ourselves.
I carry them in the pockets
of my clothed heart.
I have something
for only you.
_
into the water.
I gather memories
likes stones from the sea.
Things that don’t
even have words.
I wear them smooth
with constant turning.
Some things we can do
only for ourselves.
I carry them in the pockets
of my clothed heart.
I have something
for only you.
_
12/10/10
Cumulus
I gather them up
and they run
like grain through my fingers
each one a whole
containing its own
possibilities of life
yet insignificant alone—
there is nothing like the luxury
of being elbows-deep
in poems
_
and they run
like grain through my fingers
each one a whole
containing its own
possibilities of life
yet insignificant alone—
there is nothing like the luxury
of being elbows-deep
in poems
_
12/9/10
Coincidence
Funny that I was just thinking
of writing a poem
to explain to you
how sex is like reading
and here you are writing
a poem about how
you want me to read you
like a book.
Maybe funny isn’t
quite the right word.
_
of writing a poem
to explain to you
how sex is like reading
and here you are writing
a poem about how
you want me to read you
like a book.
Maybe funny isn’t
quite the right word.
_
Balance
There is nothing you owe,
because it can never be repaid;
we are constantly in flux of debt,
owing—and receiving—
This is why people name God.
They cannot stand to bear
such a burden between them
and so assign their dues
to a greater being.
How can you give me yesterday?
I cannot offer tomorrow.
We already have more
than either of us deserve.
_
because it can never be repaid;
we are constantly in flux of debt,
owing—and receiving—
This is why people name God.
They cannot stand to bear
such a burden between them
and so assign their dues
to a greater being.
How can you give me yesterday?
I cannot offer tomorrow.
We already have more
than either of us deserve.
_
Not So Far Behind: An Exercise in Exhalation
Waiting to feel some
thing this
isn’t what it was
supposed to be
I am a jealous god
I want the words to be
MINE only mine
all mine only all
and everything you used to be
is everything you are and
if I could play Picasso’s
guitar I’d tell the way I really
feel
which is nothing of any consequence
I hate
that it always
comes out like this
I fuck another fuck
like I write another paper
like I write another poem
and then erase, just in case
when the dialogue between us
gets too close for breathing
then I’ll find another way
to ease inside
I cannot decide
if I want or don’t a reader
someone to believe
the things I say
because bleeding might be nice
for someone else to watch
but we’re all fucking voyeurs
just the same
I would like to run away
have wanted this for almost
all my life
even done it
a few times
and every time it’s better
ifibreathethebreathyouhaveformeandletyoutakesomethingfromme
althoughyouthinkyoumightbegivingitisonlysacrificehownicetosplice
asouloficewithsomethingbeatingmaybebleedingmaybebored
how boring
(which can mean
making holes, you know)
you ask me if I ever missed
the friends I never had
all I know is all or nothing
so I prefer the kind I can consume
not you
they tell you there’s no use in traveling
wherever you go, there you are
it works that way this way too
ambiguity is golden in the way of
things worth commerce and capital
_
thing this
isn’t what it was
supposed to be
I am a jealous god
I want the words to be
MINE only mine
all mine only all
and everything you used to be
is everything you are and
if I could play Picasso’s
guitar I’d tell the way I really
feel
which is nothing of any consequence
I hate
that it always
comes out like this
I fuck another fuck
like I write another paper
like I write another poem
and then erase, just in case
when the dialogue between us
gets too close for breathing
then I’ll find another way
to ease inside
I cannot decide
if I want or don’t a reader
someone to believe
the things I say
because bleeding might be nice
for someone else to watch
but we’re all fucking voyeurs
just the same
I would like to run away
have wanted this for almost
all my life
even done it
a few times
and every time it’s better
ifibreathethebreathyouhaveformeandletyoutakesomethingfromme
althoughyouthinkyoumightbegivingitisonlysacrificehownicetosplice
asouloficewithsomethingbeatingmaybebleedingmaybebored
how boring
(which can mean
making holes, you know)
you ask me if I ever missed
the friends I never had
all I know is all or nothing
so I prefer the kind I can consume
not you
they tell you there’s no use in traveling
wherever you go, there you are
it works that way this way too
ambiguity is golden in the way of
things worth commerce and capital
_
12/8/10
12/6/10
Sinking
inkling
clinging
in the hollow
of my ache
p.s. pls (please)
sp lit between
fingers / mouth
head
down
S (h)
out
_
12/5/10
The Anatomy Theater
the peeling un-
feeling
pinned
to a table
skin flayed
sinews splayed
organs shivering
shriveling
prodded and fondled
a cold corpse coddled
by pincers and prongs
while men
with their handbooks
watch
ignorant
of the hollow
between your spine and the tabletop
where some warmth
remains
_
feeling
pinned
to a table
skin flayed
sinews splayed
organs shivering
shriveling
prodded and fondled
a cold corpse coddled
by pincers and prongs
while men
with their handbooks
watch
ignorant
of the hollow
between your spine and the tabletop
where some warmth
remains
_
12/4/10
Requiem
Do you know how it is when one wakes
at night suddenly and asks,
listening to the pounding heart: what more do you want,
insatiable?
-Czeslaw Milosz, from “Farewell”
I dreamt I was a ghost
disappointed I had died
when I had so much still to do
there are things that I
could teach you,
could touch you with
but want
only to listen
as you give me your reasons
in my own language
your tongue tripping over
the terms of my body
tangled in confusion
broken-soul stories
no reason to withhold
any more
_
at night suddenly and asks,
listening to the pounding heart: what more do you want,
insatiable?
-Czeslaw Milosz, from “Farewell”
I dreamt I was a ghost
disappointed I had died
when I had so much still to do
there are things that I
could teach you,
could touch you with
but want
only to listen
as you give me your reasons
in my own language
your tongue tripping over
the terms of my body
tangled in confusion
broken-soul stories
no reason to withhold
any more
_
New York
City like a lover I shame
when I am caught
in flagrante delicto
slutting around with dirty burgs,
meaner metropolises.
I abandon their gaunt wanting
to re-turn to you—to be
within reach of you,
to be where,
waking in the night
from sordid dreams,
I can reach for you,
a subway ride from suicide
coitus reservatus come again
art inanimate but inhabited.
_
when I am caught
in flagrante delicto
slutting around with dirty burgs,
meaner metropolises.
I abandon their gaunt wanting
to re-turn to you—to be
within reach of you,
to be where,
waking in the night
from sordid dreams,
I can reach for you,
a subway ride from suicide
coitus reservatus come again
art inanimate but inhabited.
_
12/2/10
Restructuring
It was myself you gave back to me
unexpectedly
dangerous
with words,
with wants,
with wondering when
and where and, always, why
I keen to know,
to have discourse of dialogue
and coarse dissonance, too—
but if I haven’t been myself
it isn’t me you want
to worship.
_
unexpectedly
dangerous
with words,
with wants,
with wondering when
and where and, always, why
I keen to know,
to have discourse of dialogue
and coarse dissonance, too—
but if I haven’t been myself
it isn’t me you want
to worship.
_
12/1/10
Ezra on Empty
The poetry of purgatory
lingered on her lips—
feathers kept falling
at habanero hints;
Saint Ezra rolled
under the bed,
exhaling her name:
Was she ever here
if she never came?
_
lingered on her lips—
feathers kept falling
at habanero hints;
Saint Ezra rolled
under the bed,
exhaling her name:
Was she ever here
if she never came?
_
Sangfroid
Do not ask me to name
that which was done to me
before I had learned
to defend myself;
it is part of who I am,
and if I am to love myself
enough to offer defense,
I have to love him, too.
Which renders love
down to nothing more
than any other form of fat;
when cold it is solid enough,
but heat it up
and it runs away
or burns to nothing.
_
that which was done to me
before I had learned
to defend myself;
it is part of who I am,
and if I am to love myself
enough to offer defense,
I have to love him, too.
Which renders love
down to nothing more
than any other form of fat;
when cold it is solid enough,
but heat it up
and it runs away
or burns to nothing.
_
Subscribe to:
Comments (Atom)